Robert MacNeil Christie, Author

I have not read much science fiction. But the sci-fi books I have read usually fall into the “post-apocalypse” variety, such as The Road, Earth Abides, Parable of the Sower, World Made by Hand, and most recently, The Handmaid’s Tale. I read these stories out of my interest in what is likely to happen in the next few decades.

We are entering a New Great Transformation of the relationship of humanity to the complex of living adaptive systems (ecosystems) that some call Gaia – a sort of organism of organisms. The exponential growth of the global technosphere has forced that transformation and we must face its consequences.

Varieties of Dystopia

Some of the post-apocalypse stories are quite fascinating and imaginative. They all explore in one way or another what happens when individuals or small groups encounter an entirely new situation in which widespread devastation has become the “new normal.” They raise all sorts of human dilemmas, from simple survival and threats from others to the forging of new social relationships when the old institutions and infrastructure of the society they had known are gone.

In every case, at least in the books I have read, the apocalyptic event(s) that caused the post-apocalyptic condition remains shrouded in mystery. Alluded to in various ways and extent, what actually happened is not very clear.

In The Road, for example, a father and son travel away from the center of devastation in search of some safe new place, scavenging as they go. We get the impression that some major act of destruction such as an intercontinental nuclear exchange wiped out most of civilization on the East Coast of the U.S.A. But we are given no specific information about the event.

In Parable of the Sower, we follow a young woman leading a small group north out of Los Angeles and the chaos of marauding gangs of bandits, violent neighborhoods, and unsafe gated communities, all of which are under siege in one way or another. Yet we never learn what caused that urban dystopia. It might have been a single catastrophic event or a gradual collapse of society; we are not told.

Earth Abides, highly acclaimed when first published in 1949, is a bit different. A young man comes back to the San Francisco Bay area from a personal retreat in a mountain cabin to find that nobody remains alive; a pandemic has hit the world and apparently killed everyone except him. He had accidentally become immunized to the disease by a snake bite from which he almost died. Eventually he finds a few other survivors and they confront a world as it was but without people. The story is a classic well-told adventure of coping. In this case, the cause was quite simple, if not fully explained.

In World Made by Hand, a New England village struggles in a dystopian condition in which many factors of human conflicts and political disorganization play a role. As competing groups vie for power where most modern technology was somehow lost or destroyed, we never find out what caused that condition or what could have prevented it as the characters struggle to shape a new local-regional political order. The conflicts in World Made by Hand has some of the flavor of an old western movie.

The most interesting question (for me at least) is, how would a transition to a post-apocalyptic world happen? The New Great Transformation of the world as we know it, which we have begun to experience today, involves the destabilization of ecosystems and climate our industrial economy has caused. The environmental chaos, now well on its way, has already begun to trigger economic, political, military, and social breakdowns of increasing intensity, all likely to interact and even reinforce each other.

The New Great Transformation and the Peril Ahead

The popular classics of the genre of dystopian novels all contain a combination of some of the following: a totalitarian or theocratic state, censorship, surveillance, erasure of history, anti-intellectualism, consumption and entertainment as escapism, extreme inequality, and destruction of individuality and aesthetics. Read 1984, Fahrenheit 451, Brave New World, even Hunger Games or Lord of the Flies, and you will see. Wait a minute, that list of dystopian characteristics sounds a bit too familiar…

Each post-apocalyptic novel I have read describes a different world than the others, but with often overlapping issues of human survival under extreme collapse of civilization and ensuing chaos or the rise of a totalitarian state. Some say science fiction is really about the present, but with imaginary advances in technology and totalitarianism.

Each post-apocalyptic novel I have read describes a different world than the others, but with often overlapping issues of human survival under extreme collapse of civilization and ensuing chaos. However, it seems to me that the most important and interesting question of the human condition today has to do with two things: 1) whether and to what extent people will finally realize that the world we have created is becoming un-survivable, and 2) what we will do about it.

Can we abandon our illusions of progress through corporate economic growth immediately in favor of a new creatively realistic response to the converging crises we face? Governments and corporations are the problem; they do not have the solutions. So is the industrial-consumer culture we have embraced. It is now up to people to counter the apocalyptic trend where we live. Our problem is not how to cope with an existing dystopia, but how to prevent the New Great Transformation from becoming one. That will require a great deal of hopeful realism.